.com The directing debut of Braveheart scribe Randall Wallace adapts the Alexandre Dumas classic for Leonardo di Caprio and--well at least it doesn t hit an iceberg. The first full score by sometime Hans Zimmer collaborator Glennie-Smith is one of those instances of a composer outwitting his film material. Utilizing the fusion of the electronic symphonic and choral music familiar from Zimmer s best work Glennie-Smith manages the impressive feat of sounding classical and contemporary in the same moment. --Jerry McCulley