In this important study poet Melba Joyce Boyd analyzes Harper not simply as a feminist and an activist but as a writer. Frances E. W. Harper is a central figure in the history of nineteenth- and twentieth-century African-American literature and intellectual thought. The foremost poet of the free colored community she was also a lecturer educator essayist and novelist. A prolific champion of the abolitionist and feminist causes she has come to be recognized for the critical role she played in the rise of the women s movement particularly in the development of the black women s movement. Yet neither her art nor her political insight was preserved by subsequent generations until recently. In this important study poet Melba Joyce Boyd analyzes Harper not simply as a feminist and an activist but as a writer. Boyd reads her in context placing Harper s life poetry novels and speeches within the nineteenth century African-American quest for freedom and literacy. Harper s genius is illuminated as Boyd traces her radicalism through her struggles with issues of race gender and class and the other personal and social injustices she confronted. Discarded Legacy comprises three parts: The Abolitionist Years The Pursuit of the Promised Land and The Woman s Era. These divisions characterize the thrust of the historical periods which encompass Harper s lifetime and the thematic focus of her writings. Though Harper s primary political emphasis is on slavery and the Reconstruction she sustains a strong feminist voice throughout these times and in all of her writings. Likewise during the women s era she maintains an anti-racist stance and strongly criticizes racism in white feminist politics. Boyd s response to Harper s work is interactive and improvisational and whenever possible she maintains Harper s voice allowing her to speak about her own work. When analyzing Harper s language Boyd provides insight into Harper s aesthetic by discussing the writings thematically and structurally within a biographical framework. Finally by examining Harper s use of traditional poetic techniques language oral tradition forms and other tools Boyd demonstrates how Harper s art and politics are synthesized into a dynamic whole. This book weaves Harper s radical vision with the intuitive and analytical dimensions of her imagination and language. Through perceptive explication of Harper s writings and consideration of her thematic inclinations and political and social affiliations Boyd is able to show how Harper crafted her subjects and how the literature and speeches interrelated in theme and historical experience. Boyd has successfully arranged Harper s work in a manner that connects our present to Harper s past and that re-envisions her consciousness.