Using the same cane that came to make their Superial reeds some of the best in the industry Alexander Reeds fabricated a reed with somewhat changed response characteristics from the original Superial and thus the new Superial DC was invented. Standing for Double Cut this new reed has what is traditionally referred to as a french cut and has a slightly harder tip and more wood in the heart and sides than Superial. This produces a more solid tonal core enhanced projection and power and a little darker harmonic timbre than Superial but still one with the kind of edge and authority needed in soloing or lead work. The DC was designed with a tonal concept reminiscent of the saxophonists from the 1950 s to the Blue Note Miles and Trane and Wayne eras. A reed providing increased power that would be particularly suitable for big band stage band or marching reed players. Since its introduction in 1995 DC seems to be especially favored by professionals who need a lot of power and want to push the reed to the limits of its dynamic capabilities while still retaining an even balance from top to bottom. Most comparable to the cut and feel of Vandoren ZZ or Rico Jazz Select for sax players and Vandoren Classical for clarinetists.